Blackberry and Wild Rose by Sonia Velton - beautiful book in a stunning cover

Blackberry and Wild Rose by Sonia Velton - my Review

Anyone who knows me, even the tiniest bit, will know, as surely as I did the minute I saw the cover of this book, that it is exactly the kind of book I fall head over heels in love with.

And I did. For several reasons.

(1) I swooned when I saw the absolutely gorgeous cover art. I am loving the current trend for historical novels to have a rich tapestry of all-over design and this one is covered with a lavish illustration of the woven floral silks which wind their way through the story.



(2) it is highly recommended by one of my very favourite authors the sublimely talented Laura Purcell (If she told me I'd enjoy reading the labels on sauce bottles, you wouldn't be able to get in my kitchen for ketchup and pickles)

(3) It is set in England, Spitalfields, London to be precise, in the late 18th century - Mmmmm it's piqued my interest.

(4) it is peopled with strong, willful women, who are all utterly believable and their stories individually are compelling. When they begin to overlap and weave together, the chemistry ignites causing an explosive tale of betrayal, deceit, ambition and politics that had me reeling.

(5) It is a luscious, competent and exciting debut brimming with the promise of so much more to come, from this author, who is a wonderful discovery.

So, you will gather, I liked it! I hope you'll be intrigued enough to put this book on your 2019 wishlist, although it isn't due out until early in the New Year, it is most definitely one to wait with bated breath for. 

I am writing my review now as I was one of the VERY lucky few to receive a copy in advance of publication and I want to share the love whilst my feelings aout it are still quite fresh.

So let me tell you a bit about it to whet your appetites:

It is the 1760s and we are in the city of London where Spitalfields, an area filled with merchants houses occupied by Huguenot weavers, jostles side by side with less wholesome neighbours, including brothels and pubs and a bustling marketplace.

Into this area arrives innocent young woman Sara, fresh from the countryside, smarting from what she sees as rejection by her Mother, just wanting someone to care for, brimming with hope for a new life and ready to seize any opportunity which comes her way.

But before the dust even settles she is "helped" by a wily old madam and inveigled into living and working at a notorious brothel.

Esther's life is very different, a respectable married woman living in one of the tall merchants houses with her Huguenot silk weaver husband, although her marriage lacks in love she hopes her husband will understand her desire to be involved in his world and reveals her ambition to be a designer of silks by showing him the delicate floral designs she has drawn. When he scorns and belittles her aspirations, she resolves to make her way despite him not because of him.

A foray into philanthropy sees Esther trying to help their less fortunate neighbours, and whilst distributing Bibles in the poorer quarters of Spitalfields she comes across Sara being bullied by her Madam and takes a chance on offering the girl employment as a maid.

Sara finds attending to the mercurial merchants' wife little less tiresome than lying down for a living, but she manages to make the best of what she's offered and a tentative friendship of sorts, begins between the two women.

But men, as they always do, disrupt the womens lives as they become embroiled in sinister and dastardly doings in the world of silk weaving and still Esther harbours her passion to create her own designs. 

There is very much a sense of who is using whom and why. Everyone has ulterior motives, nobody is perfect and those with minor imperfections meet the deeply flawed head on as we are treated to a whirling and writhing tale of dishonesty, abandonment, determination and recklessness.

It follows therefore that I am urging you to read this book because I ADORED it and if you follow my blog and like similar books to those I enjoy you will love it. It is clever and cunning, literary without being preachy, lush and lavish and never prosaic and it lulls you into several senses of false security before leaving you reeling.

Marvellous.

The Blurb:

When Esther Thorel, the wife of a Huguenot silk-weaver, rescues Sara Kemp from a brothel she thinks she is doing God’s will. Sara is not convinced being a maid is better than being a whore, but the chance to escape her grasping ‘madam’ is too good to refuse.

Inside the Thorels’ tall house in Spitalfields, where the strange cadence of the looms fills the attic, the two women forge an uneasy relationship. The physical intimacies of washing and dressing belie the reality: Sara despises her mistress’s blindness to the hypocrisy of her household, while Esther is too wrapped up in her own secrets to see Sara as anything more than another charitable cause.

It is silk that has Esther so distracted. For years she has painted her own designs, dreaming that one day her husband will weave them into reality. When he laughs at her ambition, she strikes up a relationship with one of the journeyman weavers in her attic who teaches her to weave and unwittingly sets in motion events that will change the fate of the whole Thorel household.



Review - The Familiars - Stacey Halls - a bewitching debut novel

The Familiars by Stacey Halls


My Review

I concur with all the great reviews I've seen for this title.

Firstly I adored the cover the minute I saw it appearing on social media, it's beautiful and very evocative of the story contained within, just perfect.

As soon as I opened my copy and began to read, it held me firmly in its grip from start to finish and never let go.

It is a quite terrifying indictment of how powerless women were, and were expected to be, in an age when men held all the power and quite literally had the power of life and death over women with the capacity to dominate women and decide their fate, just because they were male and could get away with anything.

I found the story all the more shocking as the heroine, with the unusual first name of Fleetwood, is just 17 years old yet is in the midst of her fourth pregnancy. She is an innocent yet proves to have an inbuilt strength she needs to survive. She has a charming but perfidious husband, a mother she despises, no friends and only her faithful rescued hound Puck as a loyal companion.

Fearing she won't survive this pregnancy, it's little surprise that she is delighted when she meets another young woman, Alice who claims skills in midwifery which she promises will help Fleetwood deliver a healthy baby safely.

She soon comes to rely on Alice and the two young women from very different backgrounds become friends. But Fleetwood is soon to discover a shocking betrayal, and Alice is to stand accused of witchcraft whilst Fleetwoods struggle for a healthy pregnancy becomes a death-defying nightmarish journey.

Based on the real and notorious Pendle witchcraft trials this books weaves clever and compelling fiction around authentic characters and sweeps us through the 15th century at a gallop. Already receiving much media attention its due out in early 2019. An outstandingly captivating book which weaves its magic around the reader throughout.

My review copy was from Netgalley.
It can be pre-ordered now

The Blurb
In a time of suspicion and accusation, to be a woman is the greatest risk of all . . .

Fleetwood Shuttleworth is 17 years old, married, and pregnant for the fourth time. But as the mistress at Gawthorpe Hall, she still has no living child, and her husband Richard is anxious for an heir. When Fleetwood finds a letter she isn't supposed to read from the doctor who delivered her third stillbirth, she is dealt the crushing blow that she will not survive another pregnancy.

Then she crosses paths by chance with Alice Gray, a young midwife. Alice promises to help her give birth to a healthy baby, and to prove the physician wrong.

As Alice is drawn into the witchcraft accusations that are sweeping the North-West, Fleetwood risks everything by trying to help her. But is there more to Alice than meets the eye?

Soon the two women's lives will become inextricably bound together as the legendary trial at Lancaster approaches, and Fleetwood's stomach continues to grow.

Time is running out, and both their lives are at stake. Only they know the truth. Only they can save each other.


The Word for Freedom - from Retreat West Books - Blog Tour and Review

Blog Tour The Word For Freedom

I'm thrilled to be helping round up the blog tour for the brand new collection of 24 fabulous short stories celebrating 100 years of women's suffrage; The Word for Freedom.

Compiled for Retreat West Books which is an independent press publishing paperback books and ebooks, by the founder, Amanda Saint, who is a novelist and short story writer, novelist Angela Clarke and a foreword by Rose McGinty this is a work of collaboration and team work from all the authors who have contributed. 

The book contains short stories contributed by a diverse collection of established and emerging authors, all of whom have been inspired by the suffragettes and whose stories focus on the same freedoms that those women fought for so courageously.


My Thoughts

Although I don't often read short stories, this compilation compelled me to read it, with its subject matter linked so closely to the strength of women in differing situations.

With stories set in the past and modern day, each features women in relatable situations from the everyday to the awesome, dealing with life with their own unique fortitude and tenacity.



Each tale is a quick but satisfying complete bite of the cake which embraces women standing up for themselves.

Don't be misled into thinking that every story is about suffragettes chaining themselves to railings and going on hunger strike, although these original suffragettes do feature in this compilation, the fight against injustices against women continue to the present day and even flow into folklore and myth.

The stories within the pages are so concise and complete I think it would be wrong of me to single any out individually. Each one is a quick sharp jolt, which may make you smile or gasp or cheer and every single one provides food for thought, there will be at least one which will relate to any readers own experiences.

The line up of contributors is top rate, featuring some of my favourite authors including: Anna Mazzola, Angela Clarke, Sophie Duffy and introduces some talented new names.

Overall it is a wonderful collection of stories by women for women and there are some wonderfully quirky tales. For quick reads to keep your brain ticking over this is a must read for all  women, of every age and I can't recommend it highly enough.

The book supports Hestia and the UK Says No More campaign against domestic abuse and sexual violence.

Order your own copy now

My thanks go to Random Things Tours for my copy and for organizing such great blog tours which I am proud to take part in.

The Blurb

A collection of 24 short stories celebrating a hundred years of women’ suffrage, from both established and emerging authors, all of whom have been inspired by the suffragettes and whose stories, whether set in 1918, the current day or the future, focus on the same freedoms that those women fought for so courageously.

A clerk of works at the Palace of Westminster encounters Emily Davison in a broom cupboard; a mermaid dares to tread on land to please the man she loves; a school girl friendship makes the suffragette protests relevant to the modern day; a mother leaves her child for a tree; an online troll has to face his target; and a woman caught in modern day slavery discovers a chance for freedom in a newspaper cutting.

These stories and many more come together in a collection that doesn’t shy away from the reality of a woman’s world, which has injustices and inequalities alongside opportunities and hard-won freedoms, but always finds strength, bravery and hope.

My thoughts on The Essex Serpent by Sara Perry


The Essex Serpent by Sarah Perry: My thoughts.

This is a book which has been clamouring for me to read it since it first appeared in bookshops over a year ago. The cover drew me in initially, it's beautiful. Many of my peers recommended it and I love historical fiction with a literary feel. But the first 2 or 3 times I tried to read it, it just didn't engage with me so I put it aside and finally last week picked it up again and kept going.

I enjoyed it, with a few reservations. It's very much a character-driven story. Set in Victorian England, in London and the South coast it is the story of Cora, recently widowed, her marriage never happy, she views widowhood as a kind of freedom, she has a son with whom she cannot bond and he is clearly on the autistic spectrum. She has a dour companion Martha who has been her rock, the 2 women act more like equals than mistress and servant and there is a deep connection which binds them.

Then there is Doctor Luke, short of stature, big on devotion, who hides his secret adoration for Cora, under his deep-set eyes and a frequent scowl, he and his wealthy friend, study medicine and dip in and out of their lives.

There are a lot of characters, we get involved in the story of one of the accident victims Luke treats, also friends of Cora, who with the best intentions, meddle in her life and put her on a course to meet the man who is everything she shouldn't admire. She has an interest in science and fossils and he, Will, is a man of the cloth, a small town pastor, with a sweet and delicate wife Stella whom Cora finds delightful.

Then there are the couples 3 children who also feature heavily, and Naomi, friend of their eldest girl. All these rich and well rounded, often flawed, characters weave into a story wrapped around a local legend of a sea monster. An illicit love, affections and the way our lives brush against anothers and set things in motion which cannot be undone.

The prose is lyrical and literary and I almost felt at some points the author was trying too hard to be worthy, but it is gentle and deep like the waterways of Essex which may or may not conceal a dark secret.

My main gripe is, I found very little of a historical feel. The characters all seemed to act in a modern way, speak in parlance you'd never have found in a Victorian drawing room and this jarred with me. Yes, I enjoy reading about one character who is out of their time, forward-thinking or rebellious. But ALL of them?? The narrative jarred with me and I had to keep reminding myself this book was set over a hundred years ago, as almost everything about it seemed far too current. Yes there are many references to events of the era and what is happening around them but I did feel almost every character, and there are many, was far too modern in their way of thinking and behaviour. I was expecting much more of a gothic feel, but what I felt throughout the book, was that I was watching modern actors in period costume converse in their own voices.

However the story is about people and feelings and is so cleverly woven, thoughtfully written and the characters have enough depth for me to be able to put this aside in the main and enjoy it for what it is, a great piece of storytelling and a thought-provoking novel.

The Tissue Veil by Brenda Bannister - my Review for the Blog Tour


The Tissue Veil by Brenda Bannister:

Welcome to my blog today where I am taking part in the Blog Tour for the new book by Brenda Bannister called The Tissue Veil.



My Review

It's an intriguing and heartwarming dual time story set in 1901 and 2001 and features two teenage girls aeons apart but whose lives become as close as though they were divided by a thin sheet of tissue paper, the tissue veil.

Both girls are teenagers with all the angst of young adulthood, facing decisions which could shape their entire futures, so this would make an ideal young adult read, as a coming of age novel, nevertheless I feel it will appeal to any age, I adored it and loved meeting Aysha and Emily.

Aysha lives in the 21st century, in a house in London with her large Asian family, her beloved father moved here from Pakistan when he was a young man, now an ageing invalid he oversees his family from an armchair as he recuperates. Aysha is heading towards her A-levels, trying to reconcile the strict family values instilled on her by her extended, very traditional family who plan that she will soon make an advantageous marriage and be satisfied with domesticity and motherhood, with the normal social issues faced by any teenage girl, boys, friends and studying. Closely watched by her older brothers and strict Mum who still speaks little English and lives an isolated life which revolves around her home and family, Aysha feels a need to make her own niche, but struggles to break free.

As part of her coursework for exams she chooses to research the local history of the area surrounding her home, a large old street house.

This causes her to discover a journal, hidden for almost a century beneath her bedroom floorboard. This diary was written by a former occupant, Emily. Of a similar age Emily confides her worries and problems to her diary, and to Aysha as she reads the words written a hundred years earlier in this same house.

The worries and difficulties Emily was facing in the past, had very different causes but resonate strongly with Aysha. Emily is grieving for lost family and also wanting to make her own way in the world despite living in an age when women were expected to become an obedient wife and mother. Both girls face constraints and expectations within their own homes, which they feel unable to comply with. Then one day Aysha reads her own name in the book and begins to realise that although she has never seen Emily, somehow Emily has seen her!

I loved both girls storylines which are so very different and also extremely similar. I didn't find it hard to believe that communication across the years was possible between the two unlikely friends and watching their lives unfurl before me, was gripping and satisfying. It was like reading two books together which complemented each other perfectly.

It's about clashes of class and culture and above all it's about the strength which, even oppressed women, find when it's most needed. I also loved Daisy and found I could relate more to Emilys story in the past than to Aysha's in the much more recent past.

The Blurb 

What if you discovered a hundred-year-old diary under your floorboards - and then found references in it to yourself? Or if you lived in 1901, yet kept seeing glimpses of a girl from modern times? 
And what if both of you had problems that only the other could really understand? 
Emily and Aysha live in the same Stepney house and an inexplicable link develops between them, fuelled by Aysha's discovery of a journal and Emily's sightings of a 'future ghost'. Each takes courage from the other's predicament - after all, what's a hundred years between friends?

order your copy now 

From Amazon
or a local bookstore

Brenda Bannister

Author Bio –

Brenda studied English at university and later qualified as a librarian, working in various educational settings from schools to higher education. Moving from London to Frome in Somerset in 2010 proved a catalyst for her own writing as she joined local fiction and script writing groups. 

She has had a number of short stories published, plus short plays produced in local pub theatre, but all the while was incubating a story based in the area of Tower Hamlets where she had worked for eighteen years.  This germ of a story became 'The Tissue Veil'.

Brenda is a founder member of Frome Writers' Collective, an organisation which has grown from a handful of members to over a hundred in the past four years, and helped set up its innovative Silver Crow Book Brand. She is also the current organiser of the annual Frome Festival Short Story Competition. 

A lifelong reader, Brenda rarely follows genres, but enjoys modern literary fiction, historical fiction, classics and the occasional detective novel. The latest Bernard Cornwell might be a guilty pleasure, but she'll be even more eager to get her hands on Hilary Mantel's final instalment of Thomas Cromwell's story.

Social Media Links –





The Poppy Field by Deborah Carr - Blog Tour

Today is publication day for the new historical novel by Deborah Carr - The Poppy Field and just look at that delectable cover!



As my contribution to the blog tour to help celebrate todays launch of this exciting new title I have a question and answer session with the author for you.


Q&A with Deborah

J: Hi Deborah and Welcome to Beadyjans books.

D: Thanks very much for hosting me and my new book, The Poppy Field published by HarperImpulse.

Deborah Carr.

J: Q1: Firstly can you tell me a bit about The Poppy Field and what inspired you to write it?



D: The Poppy Field is a novel about two nurses, one a contemporary trauma unit nurse, Gemma Kingston, who is suffering from burn-out after a personal tragedy. She’s desperate to find a way to forget what’s happened and travels to a rundown farmhouse outside the town of Doullens to renovate it for her father. The other nurse, Alice Le Breton is a VAD working at a casualty clearing station near Doullens in the First World War. She is escaping her controlling mother back in her home island of Jersey and is desperate to ‘do her bit’ for the war effort. Both woman, have to face up to challenging obstacles in their lives and it’s through getting to know more about Alice’s life that Gemma comes to a decision about her own future.

Charlotte Ledger, Editorial Director at HarperImpulse read Broken Faces, my debut historical romance set during the First World War and commissioned me to write a book commemorating the 100-year anniversary of the end of the First World War. Needless to say, I was thrilled! I’ve always been shocked and fascinated in equal measure by the horrors of that war and what people had to go through to survive it, both the men on the front line and the nurses and VADs who cared for them, to those back at home having to cope with their loved ones’ lives being in danger so far away from them. I was delighted to revisit the period and writing for HarperCollins’ romance imprint HarperImpulse was a dream come true so was relieved when I soon came up with an outline for the book that Charlotte liked.

J: Q2: This year marks the 100th anniversary of the end of the First World War, what change made since world war one has had the biggest impact on your life and career?

D: Apart from medical advances brought about through necessity from the shocking injuries caused by shrapnel, men being shot down in their planes as well as instruments of war, such as the dreadful gasses used on the soldiers, the best advance for me personally has to be computers. Drafting a book and being able to change it, countless times, as I go along rather than using a manual typewriter and needing to completely retype each draft must be the biggest impact on my daily life and certainly my writing career.

J: Q3: Do you have a special place to write or somewhere special which inspires your creativity?

D: I have a shed where I write during the summer months. The shed was known as Grumpy’s Palace and won the Office Category in the 2009 Shed of the Year competition – Grumpy was the nickname I gave to my gorgeous Miniature Schnauzer who used to doze in the office next to me on his pink Lloyd Loom chair as I worked from my matching one. I also write on my laptop at the dining room table, outside under a parasol whenever it’s warm enough, upstairs in my office, or anywhere really. I always have a notepad to hand to write things down if I’m not with my laptop.

J: Q4: Can you recommend 3 books which readers of your work may also enjoy?

D: Ooh, that’s difficult. I suppose readers who enjoy Pam Jenoff, or maybe Liz Trenow. My favourite book set during that period was Birdsong by Sebastian Faulks.

J: Q5: What advice would you give to budding authors?

D: I’ve included some writing tips on my website: http://deborahcarr.org/ I’m also one third of The Blonde Plotters. We’re three local authors who meet up and talk for hours about writing, we’ve also got writing tips and tips about becoming published on our website: https://theblondeplotters.com/
Personally, I always work out my main plot line, decide the names of my characters and write a vague synopsis before starting to write the first draft of any book. With Broken Faces and The Poppy Field, I also kept a chart for the different chapters and what happened in each one. I’ll develop the synopsis as I go along and as I work out more intricate aspects of my book. It can be easy to fret about a first draft being perfect. I doubt many are, but I think an aspiring author should allow themselves to simply write the first draft of the book. Don’t worry that it’s going to need editing. You can’t edit a blank page. Also, if you want to write, you need to read books. When I’m busy with my writing, especially if I have a looming deadline it’s difficult to take time out to read, but I always catch up on my reading when I’ve finished writing a book.

Another piece of advice I’d give is that all writers receive rejections, so developing a thicker skin and learning when to take note of the rejections - usually if several people are saying the same thing about the book. However, in the past I’ve had rejections from two different publishers completely contradicting each other, so sometimes it’s difficult to know what to think, or do. Writing isn’t a science though, it is subjective and that’s a good thing.

J: Q6: Finally sum up The Poppy Field in just 3 words.

D: Romantic, atmospheric, heartbreaking

Thanks, once again, Jan!

Deborah. x


Many thanks, Deborah it was a pleasure to have you on BeadyjansBooks today and I wish you huge success with your historical romance. I must confess I'd love to spend some time in the wonderfully named Grumpy's Palace!

The Book Blurb
The Poppy Field

This year marks the 100th anniversary of the end of the First World War.
Young nurse, Gemma, is struggling with the traumas she has witnessed through her job in the NHS. Needing to escape from it all, Gemma agrees to help renovate a rundown farmhouse in Doullens, France, a town near the Somme. There, in a boarded-up cupboard, wrapped in old newspapers, is a tin that reveals the secret letters and heartache of Alice Le Breton, a young volunteer nurse who worked in a casualty clearing station near the front line.
Set in the present day and during the horrifying years of the war, both woman discover deep down the strength and courage to carry on in even the most difficult of times. Through Alice’s words and her unfailing love for her sweetheart at the front, Gemma learns to truly live again.
This is a beautifully written epic historical novel that will take your breath away.

A bit more about where you can find the book and meet Deborah.


Author Bio – Deborah Carr lives on the island of Jersey in the Channel Islands with her husband, two children and three rescue dogs. She became interested in books set in WW1 when researching her great-grandfather's time as a cavalryman in the 17th 21st Lancers.
She is part of ‘The Blonde Plotters’ writing group and was Deputy Editor on the online review site, Novelicious.com for seven years. Her debut historical romance, Broken Faces, is set in WW1 and was runner-up in the 2012 Good Housekeeping Novel Writing Competition and given a 'special commendation' in the Harry Bowling Prize that year. The Poppy Field is her second historical novel.

Social Media Links –





Review - The Lighthousekeepers Daughter by Hazel Gaynor


The Lighthousekeepers Daughter by Hazel Gaynor - my review

Can I give it six out of ten please?

The minute I heard about this book I knew I had to read it.
Not only have I read and loved work by this delightful author before, including The Cottingley Secret.

Not only is it a dual time frame historical novel with BOTH timelines set in the past (joy)
but the subject is very dear to my heart ..... (tells a little story of own)
"When I was about 7 years old I remember my (now late) Aunt, tracing our family tree on my Mums side. I was told she had traced it back to the 1800s where she had found a strong family link to Grace Darling. I went to school and told my teacher who incorporated Grace Darling into a lesson. Tragically, my Aunt died and the family tree research she had done has never surfaced. I dabbled with genealogy myself but didn't manage to go into as much depth as she must have and couldn't verify the link but anything connected with this heroine of the North East instantly grips my imagination".

I'm delighted to say that Hazel Gaynor has done Grace Darling great justice and woven a wonderful, heartwarming story around her life and the lives of future generations of light keepers, in this wonderful book about daughters and love, bravery and loyalty, loss and determination.

Two stories interweave skilfully, that of Grace herself in 1838 on the Northumbrian coast, tangles with the stories of Matilda and Harriet 100 years later on the other side of the world.

I will say no more about the storyline as I want everyone to read this book and love it even half as much as I did. I wept brokenly at the end, which is extremely emotional, throughout the book it is haunting and lovely, even when you know it can't end well for everyone there is a tender poignancy and lovely little twists that wrench your heartstrings this way and that.

The Blurb

“They call me a heroine, but I am not deserving of such accolades. I am just an ordinary young woman who did her duty.”

1838: Northumberland, England. Longstone Lighthouse on the Farne Islands has been Grace Darling’s home for all of her twenty-two years. When she and her father rescue shipwreck survivors in a furious storm, Grace becomes celebrated throughout England, the subject of poems, ballads, and plays. But far more precious than her unsought fame is the friendship that develops between Grace and a visiting artist. Just as George Emmerson captures Grace with his brushes, she in turn captures his heart.

1938: Newport, Rhode Island. Nineteen-years-old and pregnant, Matilda Emmerson has been sent away from Ireland in disgrace. She is to stay with Harriet, a reclusive relative and assistant lighthouse keeper, until her baby is born. A discarded, half-finished portrait opens a window into Matilda’s family history. As a deadly hurricane approaches, two women, living a century apart, will be linked forever by their instinctive acts of courage and love.